- Opus 351 - 375
- Opus 326 - 350
- Opus 301 - 325
- Opus 276 - 300
- Opus 251 - 275
- Opus 226 - 250
- Opus 201 - 225
- Opus 176 - 200
- Opus 151 - 175
- Opus 126 - 150
- Opus 101 - 125
- Opus 76 - 100
- Opus 51 - 75
- Opus 26 - 50
- opus 1 - 25
- Tone of The Day
- Chord of the Day
- Familiar / Serial compositions
- Manifestos & Squads
- IWS 36 & The Whatevers
Peter Wallin Opus 51 - 75
(1994 - 1997)
51. SEKEL-MARCH ´94 (1994)
Version 2 (for Wind Band)
Scoring:
Flute section
Clarinet Section
Alto, Tenor & Baritone Saxophone
Cornet in Eb
Fluegelhorn
3 Cornets in Bb
3 Horns in F
Baritone
Euphonium,
3 Trombones
Tuba in Eb & Bb
Glockenspiel
Snare Drum
Bass Drum
Cymbals
A tribute to the town of Esbjerg - 100 years young in 1994.
Duration:
5 minutes
First performance:
1994-05-28 Esbjerg City (Denmark)
Esbjerg Postorkester, Esbjerg Politiorkester, Esbjerg Jernbaneorkester & Veteranorkestret Esbjerg.
Conductor: Tommy Hagenau
Awarded 1st prize in Esbjerg March Composition competition 1994
52. KYRIE DELLEISON (1994)
Scoring:
1 female voice
1 male voice
4 instruments ad lib.
Duration:
Variable
Commissioned by Jørgen Bjørslev.
The "Kyrie Eleison", with a regard to "Dells Angels" (ABSOLUTELY NOT Hells Angels!!!) of Esbjerg, Denmark.
First performance:
Academy of Music Esbjerg, Denmark 1994-06-03
Voices: Anna Eriksen & Martin Guldberg
Violin: Sonya Christie
Guitar: Richard L. Madsen
Grand Piano: Torben Rauh
Marimba: Peter Rønn-Poulsen
53. FOR LOVE... (1994)
Scoring:
Flute
Organ (or Piano)
Duration:
4 Min.
To the marriage of Michael Degn & Jette Hougaard (now Degn)
Commissioned by Birgit Nielsen
First performance:
1994-10-10, Aal Kirke (Denmark)
Birgit Nielsen (Flute) & Arne Vesterheim (Organ).
54. VACATIONS (1994)
Movements:
1. Hommage a ......
2. Serious motör problems
3. Walzing Vienna
4. Bare butts in the street
5. The Spanish Obstacle Race School
6. Au Revoir a ......
Scoring:
Bassoon Solo
Duration:
7-8 Min.
Vienna july 1994 in memoriam...
Commissioned by, and dedicated to, Anne Borgen Paulsen.
Not performed yet, as far as I know....
55. LHØØRN (1994)
Scoring:
Amplified Delayed Violin (with Violin Orchestra ad lib.)
Duration:
App. 10 min.
Commissioned by (and dedicated to) Lars Henrik Ørn
A Violin One Man/Woman Orchestra, with Lars Henrik´s name and spirit in the center of the score.
First performance:
1994-03-31 Academy of Music, Esbjerg (Denmark)
Lars Henrik Ørn
56. ON THE 2100´th DAY (1995 / 2021)
Movements:
1. For Mauricio (3 Snare Drums)
2. Hvaduvil 1 (Free Snare Drum Solo)
3. Waiting for André (Small instruments & 3 Triangles)
4. Hvaduvil 2 (Free Triangle Solo)
5. Waves for Peter and Per (3 Marimbas)
6. Hvaduvil 3 (Free Marimba solo)
7. Japanderup and Co. (Drums)
Scoring:
Percussion Trio - All movements played attacca.
Duration:
17 min.
Composed to the concert (the 3rd. of June 1995) for my Master Degree as an Orchestral Percussion Musician from the Academy of Music in Esbjerg.
First performance:
Original 1995 version
1995-04-21 Esbjerg Academy of Music (Denmark)
Peter Rønn-Poulsen, Dennis S. Pedersen, Peter Wallin
2021 version:
Not performed yet!
57. FREASE (1995)
Scoring:
Kazoo-playing Singer (Male/Female)
Co-player ad lib.
Duration:
Various
Sing a song in a kind of unusual way...: When not singing text, sing the Kazoo instead!! Co-player equipped with his/her favourite instrument, play up to (can be against) the singer in roles, sentenced by situation!!
Tekst:
Peter Wallin.
Especially created to Baritone Singer Henrik Ganzel Pedersen and Violin Player Jens Solgaard.
Commissioned by Ib Flemmig Hansen
First performance:
Internal:
May 1995 Academy of Music in Esbjerg (Denmark)
Official:
Not performed yet!
58. MIRROR 6 41 14 6 (1995)
Scoring:
Organ
Percussion (1 player, instruments ad lib. in groups of 6 units each)
Duration:
Variable
Composed & dedicated to Peter Møller, one of the greatest composers and organ improvisators in Denmark in the 20th Century. Peter Møller´s great interest and keen wish to play percussion, and P.W.´s wish to explore the great organ, in a blend of great fellow feeling.
First performance:
1995-04-30 Hjerting kirke (Denmark)
Peter Møller & Peter Wallin
59. TRINITY AGREEMENT (1995)
Scoring:
Keyboard Instrument ad lib
Crotales
Marimba
(1 mallet player)
Duration:
35-45 Minutes.
No. 1 Trinity Agreement, Microscopism in Afro rhythm, with the spirit of the fabulous talent of improvisation in the body and mind of the great Organ player Peter Møller.
Dedicated to Peter Møller
First performance:
1996-01-21 Vor Frelser Kirke Esbjerg (Denmark)
Organ: Peter Møller
Crotales & Marimba: Peter Wallin
60. 1984 (1984, revised 1995)
Scoring:
2 Bassoon solo
0000 4321 13 Str.
Duration:
10-11 Min.
George Orwell in memoriam, tragedies, war, collapse of human behaviour (negative, huh??). Composed as a massive and very loving THANK YOU to Niklas Loman & Patrik Bartosch for the TERVE performance in december 1983.
First performance:
Original version (1984):
1985-03-17 Stadshallen Lund (Sweden) Niklas Loman & Patrik Bartosch (Bassoon) Lunds Ungdomsorkester Conductor:Kjell-Åke Bjärming
Revised version (1995):
Not performed yet!!
61. 3 STÄMNINGAR (1984, revised 1989 & 1995)
Movements:
1. Meditation
2. Uppsluppenhet
3. Depression
Scoring:
Clarinet in Bb
Marimba
Duration:
6-7 Min.
Three short movements, concerning man´s moods in life...
First performance:
1984 version:
1984-06-29 Konstmuséet Lund (Sweden)
Clarinet: Cecilia Bäckström
Marimba: Peter Wallin
1989 version:
1990-05-16 Esbjerg Kunstpavillion (Denmark)
Clarinet: Bjarke Kolerus Vind
Marimba: Peter Wallin
1995 version:
2007-11-11 Musikhuset Esbjerg (Denmark)
Clarinet: Maika W. Nikolajsen
Marimba: Thomas Bjerregaard
62. PRELUDE & FANFARE (1996)
Scoring:
Soprano Trombone Solo
Duration:
1,5 min.
A gift to my wife Hanne (both the trombone and the composition).
Not performed yet!
63. DANCE (1996)
Scoring:
Alto Flute
Guitar
Duration:
6 min.
Movement 2 of the composition Trance & Dance (see below at Opus 71).
Commissioned by & Dedicated to Duo Takemitsu
First performance:
1996-11-23 Academy of Music Århus (Denmark)
Duo Takemitsu
64. MESS (1996)
Scoring:
French Horn (using 2 Snare Drums)
Timpany (set of 4)
Duration:
3,5 min.
A tribute to Motörhead (especially their smash hit "Ace of Spades"). Turbo tempo, special sound effects, and a "tour de force" for the French Horn Soloist.
Not performed yet!!
65. G.S. METAMORPHOSE MARCH (1996)
Scoring:
1 Snare Drum free Solo ad lib.
2 Snare Drum Sections
2 Tenor Drum Sections
2 Bass Drums
Clash Cymbals
Duration:
3 min.
Dedicated to the percussion section of Skjern Garden (Denmark), as a variation of traditional marching music.
Not performed yet!!
66. CLOUDS (1984, revised 1996)
Scoring:
Vibraphone
Violoncello
Piano
Duration:
6-7 min.
The vision of clouds and a peaceful sunset, seen from above in a DC-9 between Stockholm and Sturup (Sweden) in february 1984...
First performance:
"The Slapping & Crapping project, Part 2"
2005-09-17 Kulturskolan Lund (Sweden)
Vibraphone: Peter Wallin
Viola (!): Ruben Andersson
Piano: Inger Andersson Henning
67. CHORALE (1996)
Scoring:
Organ Solo
Duration:
3 min.
A gift to my brother Inge and his wife Mona, celebrating their wedding in 1996.
First performance:
1996-12-04 Folding kirke (Denmark)
Inger Elbæk
Also available in a version for String Orchestra, made in 2007 (Opus 67a)
68. 33 BARS (1996)
Scoring:
Snare Drum section
Tenor Drum section
Clash Cymbals
Bass Drum
Duration:
Variable
Just 33 bars of music...
Not performed yet!
69. TRANCE (1996)
Scoring:
Alto Flute
Guitar
Duration:
6 min.
Movement 1 of the composition Trance & Dance (Opus 71, see below at Opus 71).
First performance:
1996-11-23 Academy of Music Århus (Denmark)
Duo Takemitsu
70. ELEGIA (1996)
Scoring:
Violin/Viola
2 Marimbas
Duration:
9-10 min.
The re-composed version of "Elegia Piccola" (1985, Opus 7), now also with the possibility to play on the viola.
First performance:
2013-05-01 Tanums kyrka (Sweden)
Violin: Pia Mortensen
Marimba: Peter Wallin & Jesper Eg Pedersen
71. TRANCE & DANCE (1996)
Movements:
1. Trance
2. Dance
Scoring:
Alto Flute
Guitar
Duration:
10 min.
Do you get in a trance when you dance, or do you dance in a trance situation...???
Commissioned by & Dedicated to Duo Takemitsu
First performance:
1996-11-23 Academy of Music Århus (Denmark)
Duo Takemitsu
This piece exists in 3 versions:
1. Trance & Dance (1996, Opus 71) for Alto Flute & Guitar
2. Duet No. 3 (1997, Opus 73) for Flute & Marimba
3. Jumala (1999, Opus 85) for Violin & Guitar
72. MESS, AGES & MESSAGES (1997)
Movements:
1. Mess
2. Ages
3. Mess, Ages & Messages
Scoring:
French Horn (using 2 Snare Drums)
Timpany (set of 4)
2 Snare Drums
(Timpany & Snare Drum = 1 player)
Duration:
15 min.
A 3 movement very big tribute to Lemmy (Ian Kilmister) & Motörhead. British heavy metal long live!!!
Dedicated to Carl-Magnus Trygg
Not performed yet!
73. DUET No. 3 (1997)
Movements:
1. Trance
2. Dance
Scoring:
Flute
Marimba
Duration:
10 min.
Do you get in a trance when you dance, or do you dance in a trance situation...???
Dedicated to Duo Stracciatella
First performance:
1997-09-14, Byskolen Skjern (Denmark)
Duo Stracciatella
This piece exists in 3 versions:
1. Trance & Dance (1996, Opus 71) for Alto Flute & Guitar
2. Duet No. 3 (1997, Opus 73) for Flute & Marimba
3. Jumala (1999, Opus 85) for Violin & Guitar
74. BEYOND... (1997)
Scoring:
Marimba Solo
Duration:
Variable.
A vision on the run, never ending, never stopping, always shifting, always changing, microscopically... This vision will never be notated down in a score, just images of it flows through the composers mind during a performance of it.
First performance:
1997-09-14 Byskolen Skjern (Denmark)
Peter Wallin.
"3 Dreams" - suite:
1. Space (1984, Opus 4)
2. Beyond...
3. Goodbye (1999, Opus 88a)
75. IMPULSE 3 (1997)
Movements
1. Intro (Slow)
2. Stressed Blues (Fast)
3. Outro (Slow)
Scoring:
French Horn
Solo Marimba
String Orchestra
Duration:
8 min.
Once I thought a lot about the Swedish composer Lars-Erik Larsson, and in particular the stack of concertinos (Opus 45), for many orchestral instrument solo and amateur orchestra, he wrote between 1954-57. "If he could, so can I", was my direct thought. This was in 1984, and I started the "Av Tankar"-serie (Av Tankar = Because of thoughts) for Solo Instrument and String Orchestra, starting of with No.1 for Cello (to Louise Agnani), No. 2 for Flute (to Ulrika Ekblad), and No. 3 for French Horn (to Madeleine Dahlberg)... And after that... Complete silence!!! I did not get any further with the project, and it went into a kind of concious slumber. After 13 years sleep, I once again started the project, this time to re-compose the three pieces in to a bit more (at least for me personally) playable (both technical and compositorical) style. This time starting backwards, with "Av Tankar 3", transforming it to "Impulse 3". In 2004, I transformed "Av Tankar 1" to "Impulse 1", and "Av Tankar 2" is yet to be transformed to "Impulse 2". And after that...? It can be, that I complete my original intention, to compose a brother-serie of compositions to the Lars-Erik Larsson serie. But future will show. Keep in touch!!
Not performed yet!